Don’t hate me because I saw this movie before you.
Yes, this movie was only playing in two theaters in all of L.A., but I was determined to see it before I went home and so, after church today, I did. Audrey Tatou teams up with the brilliant and visionary Jean-Pierre Jeunet (yes, the wonderful director of “AMELIE”) to bring the world yet another glorious, rapturous, gorgeous film. This time though, Jeunet has decided to take on World War I, and a love between two people that began when they were young.
Tatou is luminous once again, playing the role of a woman stricken with polio, who’s waiting at the homefront for good news from the war regarding her fiancee. Unfortunately, all news coming to her is not so good. But that will not destroy Tatou’s character’s hope, which is what the movie is really all about: the will and hope and desire and fight to live, whatever the circumstances.
Once again, Jeunet has created a story that builds up so much suspense along the way, the final moments of the movie are literally, viewed while holding one’s breath [see the "AMELIE" final scene where Amelie meets Nino in that no talking, silent, face-to-face match up in her apartment:)---only a cat getting sleepy-eyed can break such bottled anticipation and excitement]. With this movie, it’s funny in parts, despite its heavy and dismal subject matter at times…but this makes it a nice mood change (and shift) from Jeunet’s previous work in “AMELIE.” Here, the romance is still there, but it carries much more weight this time around. But the production of “A VERY LONG ENGAGEMENT” is nothing short of breathtaking. It would be a travesty for it to be overlooked in either best set/art director or best cinematography categories for the upcoming Oscars.
I wouldn’t say that I liked “A VERY LONG ENGAGEMENT” more than “AMELIE,” but I will say that it was a worthy follow-up for Jeunet. It’s as sad as movies can get, yet, at the same time, it’s a movie that makes you want to look to the sky and think that tomorrow may very will be a much better day.
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